1624 lines
86 KiB
Plaintext
1624 lines
86 KiB
Plaintext
This package was originally debianized by Takuo KITAME <kitame@debian.org> on
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Fri, 17 Jan 2003 14:57:28 +0900.
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Andreas Henriksson <andreas@fatal.se> later reused the gnome-icon-theme
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packaging for the new adwaita-icon-theme package name.
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It was downloaded from <https://download.gnome.org/sources/adwaita-icon-theme/>
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Files: *
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Copyright:
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© 2002-2014:
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.
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Full Color Icons
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================
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.
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Ulisse Perusin <uli.peru@gmail.com>
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Riccardo Buzzotta <raozuzu@yahoo.it>
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Josef Vybíral <cornelius@vybiral.info>
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Hylke Bons <h.bons@gmail.com>
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Ricardo González <rick@jinlabs.com>
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Lapo Calamandrei <calamandrei@gmail.com>
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Rodney Dawes <dobey@novell.com>
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Luca Ferretti <elle.uca@libero.it>
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Tuomas Kuosmanen <tigert@gimp.org>
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Andreas Nilsson <nisses.mail@home.se>
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Jakub Steiner <jimmac@novell.com>
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.
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Some external 3D Assets used:
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Geraldo Cockerhan - http://www.blendswap.com/blends/view/40495 CCBYSA
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.
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Symbolic Icons
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==============
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.
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Metaphors
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---------
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Claire Alexander <claire.alexander@intel.com>
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Hylke Bons <hylke.bons@intel.com>
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Darren Wilson <darren.wilson@intel.com>
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.
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Artwork
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-------
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Jakub Steiner <jimmac@novell.com>
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Lapo Calamandrei <calamandrei@gmail.com>
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Hylke Bons <hylke.bons@intel.com>
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.
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License: CC-BY-SA-3.0 or LGPL-3
|
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This work is licenced under the terms of either the GNU LGPL v3 or
|
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Creative Commons Attribution-Share Alike 3.0 United States License.
|
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.
|
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To view a copy of the CC-BY-SA licence, visit
|
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https://creativecommons.org/licenses/by-sa/3.0/ or send a letter to Creative
|
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Commons, 171 Second Street, Suite 300, San Francisco, California 94105, USA.
|
||
.
|
||
When attributing the artwork, using "GNOME Project" is enough.
|
||
Please link to https://www.gnome.org where available.
|
||
Comment:
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See below for the full text of the CC-BY-SA-3.0.
|
||
.
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On Debian GNU/Linux systems, the complete text of the GNU Lesser General
|
||
Public License can be found in `/usr/share/common-licenses/LGPL-3'.
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Files:
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po/*
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Copyright:
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© 2004 Abdulaziz Al-Arfaj
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|
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|
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|
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|
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© 2010 argistitori
|
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© 2003 the GNOME team
|
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© 2003 www.gyfieithu.co.uk
|
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© 2004 Åsmund Skjæveland
|
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© 2004-2014 Žygimantas Beručka
|
||
License: CC-BY-SA-3.0-US or LGPL-3
|
||
This work is licenced under the terms of either the GNU LGPL v3 or
|
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Creative Commons Attribution-Share Alike 3.0 United States License.
|
||
.
|
||
To view a copy of the CC-BY-SA licence, visit
|
||
https://creativecommons.org/licenses/by-sa/3.0/ or send a letter to Creative
|
||
Commons, 171 Second Street, Suite 300, San Francisco, California 94105, USA.
|
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.
|
||
When attributing the artwork, using "GNOME Project" is enough.
|
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Please link to https://www.gnome.org where available.
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|
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Files:
|
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po/tk.po
|
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Copyright:
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© 2004 Free Software Foundation
|
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© 2004 Gurban Mühemmet Tewekgeli and Kakilik - Turkmen free software developers community
|
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License: GPL-unspecified
|
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This file is distributed under the terms of GNU General Public License (GPL)
|
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Comment:
|
||
On Debian systems, the complete text of the GNU General
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Public License can be found in `/usr/share/common-licenses/GPL'.
|
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|
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Files:
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src/fullcolor/accessories-dictionary.svg
|
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Copyright:
|
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© Ulisse Perusin
|
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© Lapo Calamandrei
|
||
© SoylentGreen
|
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© Luigi Chiesa
|
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© unknown contributor to FreeSeamlessTextures.com
|
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License: GFDL-1.2+ or CC-BY-SA-3.0-Unported or CC-BY-SA-2.0-IT, and CC-BY-3.0-US
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License: CC-BY-SA-3.0-Unported
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This file is licensed under the Creative Commons Attribution-Share
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Under the following conditions:
|
||
.
|
||
• attribution – You must attribute the work in the manner specified
|
||
by the author or licensor (but not in any way that suggests that they
|
||
endorse you or your use of the work).
|
||
• share alike – If you alter, transform, or build upon this work,
|
||
you may distribute the resulting work only under the same or similar
|
||
license to this one.
|
||
.
|
||
---- Full license text follows ----
|
||
.
|
||
[Creative Commons Legal Code]
|
||
.
|
||
Attribuzione–Condividi allo stesso modo 2.0 (ITALIA)
|
||
.
|
||
L’ASSOCIAZIONE CREATIVE COMMONS (DI SEGUITO ‘CREATIVE COMMONS’) NON È
|
||
UNO STUDIO LEGALE E NON FORNISCE SERVIZI DI CONSULENZA LEGALE. LA
|
||
DISTRIBUZIONE DI QUESTO MODELLO DI CONTRATTO DI LICENZA NON INSTAURA UN
|
||
RAPPORTO AVVOCATO-CLIENTE. CREATIVE COMMONS FORNISCE INFORMAZIONI DA
|
||
CONSIDERARSI “COSI’ COME SONO”. CREATIVE COMMONS NON PRESTA ALCUNA
|
||
GARANZIA PER LE INFORMAZIONI FORNITE E SI ESIME DA OGNI RESPONSABILITÀ
|
||
PER I DANNI DERIVANTI DALL’USO DELLE STESSE.
|
||
.
|
||
La Licenza
|
||
.
|
||
L’OPERA (COME SOTTO DEFINITA) È MESSA A DISPOSIZIONE SULLA BASE DEI
|
||
TERMINI DELLA PRESENTE LICENZA “CREATIVE COMMONS PUBLIC LICENCE” (‘CCPL’
|
||
O ‘LICENZA’). L’OPERA E’ PROTETTA DAL DIRITTO D’AUTORE E/O DALLE ALTRE
|
||
LEGGI APPLICABILI. OGNI UTILIZZAZIONE DELL’OPERA CHE NON SIA AUTORIZZATA
|
||
AI SENSI DELLA PRESENTE LICENZA O DEL DIRITTO D’AUTORE È PROIBITA.
|
||
.
|
||
CON IL SEMPLICE ESERCIZIO SULL’OPERA DI UNO QUALUNQUE DEI DIRITTI QUI DI
|
||
SEGUITO ELENCATI, TU ACCETTI E TI OBBLIGHI A RISPETTARE INTEGRALMENTE I
|
||
TERMINI DELLA PRESENTE LICENZA AI SENSI DEL PUNTO 8.f. IL LICENZIANTE
|
||
CONCEDE A TE I DIRITTI QUI DI SEGUITO ELENCATI A CONDIZIONE CHE TU
|
||
ACCETTI DI RISPETTARE I TERMINI E LE CONDIZIONI DI CUI ALLA PRESENTE
|
||
LICENZA.
|
||
.
|
||
1. Definizioni. Ai fini e per gli effetti della presente licenza, si
|
||
intende per
|
||
.
|
||
1. "Collezione di Opere", un’opera, come un numero di un periodico,
|
||
un’antologia o un’enciclopedia, nella quale l’Opera nella sua
|
||
interezza e forma originale, unitamente ad altri contributi
|
||
costituenti loro stessi opere distinte ed autonome, sono raccolti in
|
||
un’unità collettiva. Un’opera che costituisce Collezione di Opere
|
||
non verrà considerata Opera Derivata (come sotto definita) ai fini
|
||
della presente Licenza;
|
||
2. "Opera Derivata", un’opera basata sull’Opera ovvero sull’Opera
|
||
insieme con altre opere preesistenti, come una traduzione, un
|
||
arrangiamento musicale, un adattamento teatrale, narrativo,
|
||
cinematografico, una registrazione di suoni, una riproduzione
|
||
d’arte, un digesto, una sintesi, od ogni altra forma in cui l’Opera
|
||
possa essere riproposta, trasformata o adattata. Nel caso in cui
|
||
un’Opera tra quelle qui descritte costituisca già Collezione di
|
||
Opere, essa non sarà considerata Opera Derivata ai fini della
|
||
presente Licenza. Al fine di evitare dubbi è inteso che, quando
|
||
l’Opera sia una composizione musicale o registrazione di suoni, la
|
||
sincronizzazione dell’Opera in relazione con un’immagine in
|
||
movimento (“synching”) sarà considerata Opera Derivata ai fini di
|
||
questa Licenza;
|
||
3. "Licenziante", l’individuo o l’ente che offre l’Opera secondo i
|
||
termini e le condizioni della presente Licenza;
|
||
4. "Autore Originario", il soggetto che ha creato l’Opera;
|
||
5. "Opera", l’opera dell’ingegno suscettibile di protezione in forza
|
||
delle leggi sul diritto d’autore, la cui utilizzazione è offerta nel
|
||
rispetto dei termini della presente Licenza;
|
||
6. "Tu"/"Te", l’individuo o l’ente che esercita i diritti derivanti
|
||
dalla presente Licenza e che non abbia precedentemente violato i
|
||
termini della presente Licenza relativi all’Opera, o che, nonostante
|
||
una precedente violazione degli stessi, abbia ricevuto espressa
|
||
autorizzazione dal Licenziante all’esercizio dei diritti derivanti
|
||
dalla presente Licenza;
|
||
7. "Elementi della Licenza", gli attributi fondamentali della Licenza
|
||
scelti dal Licenziante ed indicati nel titolo della Licenza:
|
||
Attribuzione, Condividi allo stesso modo.
|
||
.
|
||
2. Libere utilizzazioni. La presente Licenza non intende in alcun modo
|
||
ridurre, limitare o restringere alcun diritto di libera utilizzazione o
|
||
l’operare della regola dell’esaurimento del diritto o altre limitazioni
|
||
dei diritti esclusivi sull’Opera derivanti dalla legge sul diritto
|
||
d’autore o da altre leggi applicabili.
|
||
.
|
||
3. Concessione della Licenza. Nel rispetto dei termini e delle
|
||
condizioni contenute nella presente Licenza, il Licenziante concede a Te
|
||
una licenza per tutto il mondo, gratuita, non esclusiva e perpetua (per
|
||
la durata del diritto d’autore applicabile) che autorizza ad esercitare
|
||
i diritti sull’Opera qui di seguito elencati:
|
||
.
|
||
1. riproduzione dell’Opera, incorporazione dell’Opera in una o più
|
||
Collezioni di Opere e riproduzione dell’Opera come incorporata nelle
|
||
Collezioni di Opere;
|
||
2. creazione e riproduzione di un’Opera Derivata;
|
||
3. distribuzione di copie dell’Opera o di supporti fonografici su cui
|
||
l’Opera è registrata, comunicazione al pubblico, rappresentazione,
|
||
esecuzione, recitazione o esposizione in pubblico, ivi inclusa la
|
||
trasmissione audio digitale dell’Opera, e ciò anche quando l’Opera
|
||
sia incorporata in Collezioni di Opere;
|
||
4. distribuzione di copie dell’Opera o di supporti fonografici su cui
|
||
l’Opera Derivata è registrata, comunicazione al pubblico,
|
||
rappresentazione, esecuzione, recitazione o esposizione in pubblico,
|
||
ivi inclusa la trasmissione audio digitale di Opere Derivate.
|
||
5. Al fine di evitare dubbi è inteso che, se l’Opera sia di tipo
|
||
musicale
|
||
.
|
||
1. Compensi per la comunicazione al pubblico o la rappresentazione
|
||
od esecuzione di opere incluse in repertori. Il Licenziante
|
||
rinuncia al diritto esclusivo di riscuotere compensi,
|
||
personalmente o per il tramite di un ente di gestione collettiva
|
||
(ad es. SIAE), per la comunicazione al pubblico o la
|
||
rappresentazione od esecuzione, anche in forma digitale (ad es.
|
||
tramite webcast) dell’Opera.
|
||
2. Compensi per versioni cover. Il Licenziante rinuncia al diritto
|
||
esclusivo di riscuotere compensi, personalmente o per il tramite
|
||
di un ente di gestione collettiva (ad es. SIAE), per ogni disco
|
||
che Tu crei e distribuisci a partire dall’Opera (versione
|
||
cover).
|
||
.
|
||
6. Compensi per la comunicazione al pubblico dell’Opera mediante
|
||
fonogrammi. Al fine di evitare dubbi, è inteso che se l’Opera è una
|
||
registrazione di suoni, il Licenziante rinuncia al diritto esclusivo
|
||
di riscuotere compensi, personalmente o per il tramite di un ente di
|
||
gestione collettiva (ad es. IMAIE), per la comunicazione al pubblico
|
||
dell’Opera, anche in forma digitale.
|
||
7. Altri compensi previsti dalla legge italiana. Al fine di evitare
|
||
dubbi, è inteso che il Licenziante rinuncia al diritto esclusivo di
|
||
riscuotere i compensi a lui attribuiti dalla legge italiana sul
|
||
diritto d’autore (ad es. per l’inserimento dell’Opera in
|
||
un’antologia ad uso scolastico ex art. 70 l. 633/1941). Al
|
||
Licenziante spettano in ogni caso i compensi irrinunciabili a lui
|
||
attribuiti dalla medesima legge (ad es. l’equo compenso spettante
|
||
all’autore di opere musicali, cinematografiche, audiovisive o di
|
||
sequenze di immagini in movimento nel caso di noleggio ai sensi
|
||
dell’art. 18-bis l. 633/1941).
|
||
.
|
||
I diritti sopra descritti potranno essere esercitati con ogni mezzo di
|
||
comunicazione e in tutti i formati. Tra i diritti di cui sopra si
|
||
intende compreso il diritto di apportare all’Opera le modifiche che si
|
||
rendessero tecnicamente necessarie per l’esercizio di detti diritti
|
||
tramite altri mezzi di comunicazione o su altri formati. Tutti i diritti
|
||
non espressamente concessi dal Licenziante rimangono riservati.
|
||
.
|
||
4. Restrizioni. La Licenza concessa in conformità al precedente punto 3
|
||
è espressamente assoggettata a, e limitata da, le seguenti restrizioni
|
||
.
|
||
1. Tu puoi distribuire, comunicare al pubblico, rappresentare,
|
||
eseguire, recitare o esporre in pubblico l’Opera, anche in forma
|
||
digitale, solo assicurando che i termini di cui alla presente
|
||
Licenza siano rispettati e, insieme ad ogni copia dell’Opera (o
|
||
supporto fonografico su cui è registrata l’Opera) che distribuisci,
|
||
comunichi al pubblico o rappresenti, esegui, reciti o esponi in
|
||
pubblico, anche in forma digitale, devi includere una copia della
|
||
presente Licenza o il suo Uniform Resource Identifier. Non puoi
|
||
proporre od imporre alcuna condizione relativa all’Opera che alteri
|
||
o restringa i termini della presente Licenza o l’esercizio da parte
|
||
del beneficiario dei diritti qui concessi. Non puoi concedere
|
||
l’Opera in sublicenza. Devi mantenere intatte tutte le informative
|
||
che si riferiscono alla presente Licenza ed all’esclusione delle
|
||
garanzie. Non puoi distribuire, comunicare al pubblico,
|
||
rappresentare, eseguire, recitare o esporre in pubblico l’Opera,
|
||
neanche in forma digitale, usando misure tecnologiche miranti a
|
||
controllare l’accesso all’Opera ovvero l’uso dell’Opera, in maniera
|
||
incompatibile con i termini della presente Licenza. Quanto sopra si
|
||
applica all’Opera anche quando questa faccia parte di una Collezione
|
||
di Opere, anche se ciò non comporta che la Collezione di Opere di
|
||
per sé ed indipendentemente dall’Opera stessa debba essere soggetta
|
||
ai termini ed alle condizioni della presente Licenza. Qualora Tu
|
||
crei una Collezione di Opere, su richiesta di qualsiasi Licenziante,
|
||
devi rimuovere dalla Collezione di Opere stessa, ove materialmente
|
||
possibile, ogni riferimento a tale Licenziante o, su richiesta di
|
||
qualsiasi Autore Originario, a tale Autore Originario, come da
|
||
richiesta. Qualora tu crei un’Opera Derivata, su richiesta di
|
||
qualsiasi Licenziante devi rimuovere dall’Opera Derivata stessa,
|
||
nella misura in cui ciò sia possibile, ogni riferimento a tale
|
||
Licenziante o, su richiesta di qualsiasi Autore Originario, a tale
|
||
Autore Originario, come da richiesta.
|
||
2. Tu puoi distribuire, comunicare al pubblico, rappresentare,
|
||
eseguire, recitare o esporre in pubblico l’Opera, anche in forma
|
||
digitale, solo assicurando che i termini di cui alla presente
|
||
Licenza siano rispettati e, insieme ad ogni copia dell’Opera (o
|
||
supporto fonografico su cui è registrata l’Opera) che distribuisci,
|
||
comunichi al pubblico o rappresenti, esegui, reciti o esponi in
|
||
pubblico, anche in forma digitale, devi includere una copia della
|
||
presente Licenza o il suo Uniform Resource Identifier. Non puoi
|
||
proporre od imporre alcuna condizione relativa all’Opera che alteri
|
||
o restringa i termini della presente Licenza o l’esercizio da parte
|
||
del beneficiario dei diritti qui concessi. Non puoi concedere
|
||
l’Opera in sublicenza. Devi mantenere intatte tutte le informative
|
||
che si riferiscono alla presente Licenza ed all’esclusione delle
|
||
garanzie. Non puoi distribuire, comunicare al pubblico,
|
||
rappresentare, eseguire, recitare o esporre in pubblico l’Opera,
|
||
neanche in forma digitale, usando misure tecnologiche miranti a
|
||
controllare l’accesso all’Opera ovvero l’uso dell’Opera, in maniera
|
||
incompatibile con i termini della presente Licenza. Quanto sopra si
|
||
applica all’Opera anche quando questa faccia parte di una Collezione
|
||
di Opere, anche se ciò non comporta che la Collezione di Opere di
|
||
per sé ed indipendentemente dall’Opera stessa debba essere soggetta
|
||
ai termini ed alle condizioni della presente Licenza. Qualora Tu
|
||
crei una Collezione di Opere, su richiesta di qualsiasi Licenziante,
|
||
devi rimuovere dalla Collezione di Opere stessa, ove materialmente
|
||
possibile, ogni riferimento a tale Licenziante o, su richiesta di
|
||
qualsiasi Autore Originario, a tale Autore Originario, come da
|
||
richiesta. Qualora tu crei un’Opera Derivata, su richiesta di
|
||
qualsiasi Licenziante devi rimuovere dall’Opera Derivata stessa,
|
||
nella misura in cui ciò sia possibile, ogni riferimento a tale
|
||
Licenziante o, su richiesta di qualsiasi Autore Originario, a tale
|
||
Autore Originario, come da richiesta.
|
||
3. Qualora Tu distribuisca, comunichi al pubblico, rappresenti, esegua,
|
||
reciti o esponga in pubblico, anche in forma digitale, l’Opera o
|
||
qualsiasi Opera Derivata o Collezione di Opere, devi mantenere
|
||
intatte tutte le informative sul diritto d’autore sull’Opera. Devi
|
||
riconoscere all’Autore Originale una menzione adeguata rispetto al
|
||
mezzo di comunicazione o supporto che utilizzi citando il nome (o lo
|
||
pseudonimo, se del caso) dell’Autore Originale, ove fornito; il
|
||
titolo dell’Opera, ove fornito; nella misura in cui sia
|
||
ragionevolmente possibile, l’Uniform Resource Identifier, che il
|
||
Licenziante specifichi dover essere associato con l’Opera, salvo che
|
||
tale URI non faccia riferimento alla informazione di protezione di
|
||
diritto d’autore o non dia informazioni sulla licenza dell’Opera;
|
||
inoltre, in caso di Opera Derivata, devi menzionare l’uso dell’Opera
|
||
nell’Opera Derivata (ad esempio, “traduzione francese dell’Opera
|
||
dell’Autore Originario”, o “sceneggiatura basata sull’Opera
|
||
originaria dell’Autore Originario”). Tale menzione deve essere
|
||
realizzata in qualsiasi maniera ragionevole possibile; in ogni caso,
|
||
in ipotesi di Opera Derivata o Collezione di Opere, tale menzione
|
||
deve quantomeno essere posta nel medesimo punto dove viene indicato
|
||
il nome di altri autori di rilevanza paragonabile e con lo stesso
|
||
risalto concesso alla menzione di altri autori di rilevanza
|
||
paragonabile.
|
||
.
|
||
5. Dichiarazioni, Garanzie ed Esonero da responsabilità
|
||
.
|
||
SALVO CHE SIA ESPRESSAMENTE CONVENUTO ALTRIMENTI PER ISCRITTO FRA LE
|
||
PARTI, IL LICENZIANTE OFFRE L’OPERA IN LICENZA “COSI’ COM’E’” E NON
|
||
FORNISCE ALCUNA DICHIARAZIONE O GARANZIA DI QUALSIASI TIPO CON RIGUARDO
|
||
ALL’OPERA, SIA ESSA ESPRESSA OD IMPLICITA, DI FONTE LEGALE O DI ALTRO
|
||
TIPO, ESSENDO QUINDI ESCLUSE, FRA LE ALTRE, LE GARANZIE RELATIVE AL
|
||
TITOLO, ALLA COMMERCIABILITÀ, ALL’IDONEITÀ PER UN FINE SPECIFICO E ALLA
|
||
NON VIOLAZIONE DI DIRITTI DI TERZI O ALLA MANCANZA DI DIFETTI LATENTI O
|
||
DI ALTRO TIPO, ALL’ESATTEZZA OD ALLA PRESENZA DI ERRORI, SIANO ESSI
|
||
ACCERTABILI O MENO. ALCUNE GIURISDIZIONI NON CONSENTONO L’ESCLUSIONE DI
|
||
GARANZIE IMPLICITE E QUINDI TALE ESCLUSIONE PUÒ NON APPLICARSI A TE.
|
||
.
|
||
6. Limitazione di Responsabilità. SALVI I LIMITI STABILITI DALLA LEGGE
|
||
APPLICABILE, IL LICENZIANTE NON SARÀ IN ALCUN CASO RESPONSABILE NEI TUOI
|
||
CONFRONTI A QUALUNQUE TITOLO PER ALCUN TIPO DI DANNO, SIA ESSO SPECIALE,
|
||
INCIDENTALE, CONSEQUENZIALE, PUNITIVO OD ESEMPLARE, DERIVANTE DALLA
|
||
PRESENTE LICENZA O DALL’USO DELL’OPERA, ANCHE NEL CASO IN CUI IL
|
||
LICENZIANTE SIA STATO EDOTTO SULLA POSSIBILITÀ DI TALI DANNI. NESSUNA
|
||
CLAUSOLA DI QUESTA LICENZA ESCLUDE O LIMITA LA RESPONSABILITA’ NEL CASO
|
||
IN CUI QUESTA DIPENDA DA DOLO O COLPA GRAVE.
|
||
.
|
||
7. Risoluzione
|
||
.
|
||
1. La presente Licenza si intenderà risolta di diritto e i diritti con
|
||
essa concessi cesseranno automaticamente, senza necessità di alcuna
|
||
comunicazione in tal senso da parte del Licenziante, in caso di
|
||
qualsivoglia inadempimento dei termini della presente Licenza da
|
||
parte Tua, ed in particolare delle disposizioni di cui ai punti 4.a,
|
||
4.b e 4.c, essendo la presente Licenza condizionata risolutivamente
|
||
al verificarsi di tali inadempimenti. In ogni caso, la risoluzione
|
||
della presente Licenza non pregiudicherà i diritti acquistati da
|
||
individui o enti che abbiano acquistato da Te Opere Derivate o
|
||
Collezioni di Opere, ai sensi della presente Licenza, a condizione
|
||
che tali individui o enti continuino a rispettare integralmente le
|
||
licenze di cui sono parte. Le sezioni 1, 2, 5, 6, 7 e 8 rimangono
|
||
valide in presenza di qualsiasi risoluzione della presente Licenza.
|
||
2. Sempre che vengano rispettati i termini e le condizioni di cui
|
||
sopra, la presente Licenza è perpetua (e concessa per tutta la
|
||
durata del diritto d’autore sull’Opera applicabile). Nonostante ciò,
|
||
il Licenziante si riserva il diritto di rilasciare l’Opera sulla
|
||
base dei termini di una differente licenza o di cessare la
|
||
distribuzione dell’Opera in qualsiasi momento; fermo restando che,
|
||
in ogni caso, tali decisioni non comporteranno recesso dalla
|
||
presente Licenza (o da qualsiasi altra licenza che sia stata
|
||
concessa, o che sia richiesto che venga concessa, ai termini della
|
||
presente Licenza), e la presente Licenza continuerà ad avere piena
|
||
efficacia, salvo che vi sia risoluzione come sopra indicato.
|
||
.
|
||
8. Varie
|
||
.
|
||
1. Ogni volta che Tu distribuisci, o rappresenti, esegui o reciti
|
||
pubblicamente in forma digitale l’Opera o una Collezione di Opere,
|
||
il Licenziante offre al destinatario una licenza per l’Opera nei
|
||
medesimi termini e condizioni che a Te sono stati concessi dalla
|
||
presente Licenza.
|
||
2. Ogni volta che Tu distribuisci, o rappresenti, esegui o reciti
|
||
pubblicamente in forma digitale un’Opera Derivata, il Licenziante
|
||
offre al destinatario una licenza per l’Opera originale nei medesimi
|
||
termini e condizioni che a Te sono stati concessi dalla presente
|
||
Licenza.
|
||
3. L’invalidità o l’inefficacia, secondo la legge applicabile, di una o
|
||
più fra le disposizioni della presente Licenza, non comporterà
|
||
l’invalidità o l’inefficacia dei restanti termini e, senza bisogno
|
||
di ulteriori azioni delle parti, le disposizioni invalide od
|
||
inefficaci saranno da intendersi rettificate nei limiti della misura
|
||
che sia indispensabile per renderle valide ed efficaci.
|
||
4. In nessun caso i termini e le disposizioni di cui alla presente
|
||
Licenza possono essere considerati rinunciati, né alcuna violazione
|
||
può essere considerata consentita, salvo che tale rinuncia o
|
||
consenso risultino per iscritto da una dichiarazione firmata dalla
|
||
parte contro cui operi tale rinuncia o consenso.
|
||
5. La presente Licenza costituisce l’intero accordo tra le parti
|
||
relativamente all’Opera qui data in licenza. Non esistono altre
|
||
intese, accordi o dichiarazioni relative all’Opera che non siano
|
||
quelle qui specificate. Il Licenziante non sarà vincolato ad alcuna
|
||
altra disposizione addizionale che possa apparire in alcuna
|
||
comunicazione da Te proveniente. La presente Licenza non può essere
|
||
modificata senza il mutuo consenso scritto del Licenziante e Tuo.
|
||
6. Clausola iCommons. Questa Licenza trova applicazione nel caso in cui
|
||
l’Opera sia utilizzata in Italia. Ove questo sia il caso, si applica
|
||
anche il diritto d’autore italiano. Negli altri casi le parti si
|
||
obbligano a rispettare i termini dell’attuale Licenza Creative
|
||
Commons generica che corrisponde a questa Licenza Creative Commons
|
||
iCommons.
|
||
.
|
||
Creative Commons non è parte della presente Licenza e non dà alcuna
|
||
garanzia connessa all’Opera. Creative Commons non è responsabile nei
|
||
Tuoi confronti o nei confronti di altre parti ad alcun titolo per alcun
|
||
danno, incluso, senza limitazioni, qualsiasi danno generale. speciale,
|
||
incidentale o consequenziale che sorga in connessione alla presente
|
||
Licenza. Nonostante quanto previsto nelle due precedenti frasi, qualora
|
||
Creative Commons espressamente identificasse se stesso quale Licenziante
|
||
nei termini di cui al presente accordo, avrà tutti i diritti e tutti gli
|
||
obblighi del Licenziante.
|
||
.
|
||
Salvo che per il solo scopo di indicare al pubblico che l’Opera è data
|
||
in licenza secondo i termini della CCPL, nessuna parte potrà utilizzare
|
||
il marchio “Creative Commons” o qualsiasi altro marchio correlato, o il
|
||
logo di Creative Commons, senza il preventivo consenso scritto di
|
||
Creative Commons. Ogni uso consentito sarà realizzato con l’osservanza
|
||
delle linee guida per l’uso del marchio Creative Commons, in forza in
|
||
quel momento, come di volta in volta pubblicate sul sito Internet di
|
||
Creative Commons o altrimenti messe a disposizione a richiesta.
|
||
.
|
||
Creative Commons può essere contattata al sito
|
||
http://creativecommons.org/.
|
||
|
||
License: GFDL-1.2+
|
||
Permission is granted to copy, distribute and/or modify this document
|
||
under the terms of the GNU Free Documentation License, Version 1.2 or
|
||
any later version published by the Free Software Foundation; with no
|
||
Invariant Sections, no Front-Cover Texts, and no Back-Cover Texts. A
|
||
copy of the license is included in the section entitled GNU Free
|
||
Documentation License.
|
||
Comment:
|
||
On Debian systems, the complete text of the GFDL-1.2 can be found
|
||
in /usr/share/common-licenses/GFDL-1.2.
|